Quentin Tarantino
By analysing the different ways that True Romance could’ve been structured, we can clearly see the stylistic differences between two filmmakers.
The Favourite and Once Upon a Time in Hollywood could not be more distant – but are there more similarities to them than meets the eye?
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.
Is Quentin Tarantino just another white male director carelessly contributing to the gender bias in cinema with Once Upon a Time in Hollywood?
Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.
Westerns are brilliant because, like all great genres, they possess a wealth of contrast; while…
In Once Upon a Time in Hollywood, a faded TV actor and his stunt double strive to achieve fame and success in the film industry.
Quentin Tarantino has become synonymous with his ability to portray villains as cool, ostensibly relatable people that you want to cheer for; here’s why that is problematic.
With the festival entering its final day, and my screenings complete, I thought my time…
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.
There is none righteous, not even one. — Romans 3:10 Film is a memory machine.
As 2015 comes to a close, the promises of 2016 in film leave excitement fizzling like the fireworks of New Year amongst Quentin Tarantino fans. We have been treated to an influx of releases ripe from the mind of the divisive director over the past few years, with Inglourious Basterds and Django Unchained providing much controversy and dividing many opinions, but it is The Hateful Eight that is now beginning to incite anticipation about its January release. But, as this excitement grows towards the end of Tarantino’s twenty-fourth year in the filmmaking business, the success he enjoys now has progressed in an initially unexpected way.
Closely approaching Quentin Tarantino’s new film The Hateful Eight arises expectations not only because of the name he has created for himself, but also because we are aware of the repeating pattern of collaborators in his films. But this piece is not about the cast of the film nor about Tarantino’s specific style. It is about the collaborators behind the scene, specifically on his first time collaboration with Ennio Morricone as a composer of the film’s original soundtrack.