psychology
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Mad To Be Normal should have been a film vibrating with R.D. Laing’s unique energy, but ends up being unfortunately unengaging.
We spoke with Tim Wardle, director of the great documentary Three Identical Strangers, about the psychology of the film, its subjects, and more!
Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?
The Spierig Brothers’ latest “based on a true story” horror movie Winchester is a cinematic checklist of every dreadful ‘haunted house’ cliche, every formulaic competent that’s been implemented by other, better genre entries.
Tao Raspuli’s Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Though with a contrived ending, Goodnight Mommy is a mostly intriguing Austrian horror film that plays on inborn, relatable fears.
Psychological horror films are designed to be more like vivid nightmares, sending the conscious mind an important message or warning of something that hasn’t been acknowledged.
Post-traumatic stress disorder – abbreviated as PTSD – has been a subject in film as far back as the 1946 John Huston documentary Let There Be Light. Since the Invasion of Iraq, it’s become a prevalent concept. One of the most original to have been made is Martin Scorsese’s 1976 classic Taxi Driver.
Let me know if you’ve heard this one. A man wakes up after an accident with no memory of who he is or where he’s been, and while incredibly disabling, his predicament leads him down a lengthy search to discover his past and identity. This and other uses of memory loss have been popular in film for generations.
“Inside each and every one of us is one true authentic swing … Somethin’ we was born with … Somethin’ that’s ours and ours alone …
Films and culture provide us with scripts that help us make sense of dating and sexuality. Unfortunately, many of the scripts are outdated.
It’s critical that media show that all people belong. However, very few films in the United States are made by and about ethnic minorities.