Whether elements in My Neighbor Totoro are imagined or real, the film explores family dynamics in a way that may be relatable to a number of individuals.
Why do we worry ourselves over scenarios that are literally millions of times less likely to happen than dying while doing activities like driving and eating?
If you let yourself think about all the unknowns in the world, it can bring on a strange, existential panic, one that Upstream Color captures in a beautifully unnerving way.
Capturing a legacy of fear, Pia Borg’s short documentary Demonic is the perfect depiction of a time when the depths of the mind, imagination and fear gripped a nation.
Season 2 of Mindhunter reminds us why we adore this show: it’s gripping, intoxicating television, as engaging on a scene-to-scene basis as it is on a grand narrative level.
At once a period piece and a coming-of-age odyssey wrapped around a bizarre narrative about an antiquated medical treatment, The Mountain is Alverson’s finest film.
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Eating disorders have long been a controversial topic when it comes to being portrayed on film; here’s a brief outline on how it has become problematic.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.
Expelling all mental illness, Maniac blends all conceivable genres and tones, in an unmistakably difficult balancing act set in an unknown retrofuturist timeline.