possession
When Evil Lurks proves itself a visceral horror that will get under your skin.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.
Paco Plaza’s Verónica is the latest to enter the horror genre fold of demonic possessions, Ouija boards, and hauntings.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
With a talented and diverse cast, chills coming from the darkest corners of television and unending potential, Evil is definitely the one to watch.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
A mostly forgettable endeavor, The Possession of Hannah Grace is a misfire and a reminder of just what happens when you take a similar concept and do it better.
Soul to Keep is a horror tale about sadistic ritualism that, whilst having its heart in the right place, struggles to break free from the shackles of genre conformity.
For all of its merciless violence, Puppet Master: The Littlest Reich is a clever exercise in genre thrills and impossibly twisted humor.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Despite a tendency to overdo it when it comes to the scares themselves, Paco Plaza’s Veronica contains enough focus on character and symbolism to be an effective demonic possession horror.