politics
Much like last week’s episode of Billions, ‘The Chris Rock Test’ is a solid episode that moves fast and sets the season’s overarching story in motion.
This formula is exactly why even after four brilliant seasons, Billions still manages to keep things fresh and surprising.
Rarely has the word “perfect” been more appropriately used than in describing David Simon and Ed Burns’ brilliant The Plot Against America.
How Far Is Home is a well-made documentary short film with good food for thought that doesn’t quite stick the landing.
In the penultimate episode of The Plot Against America, David Simon and Ed Burns continue to display their mastery of film craft, leaving no stone unturned, and no character blameless.
In Part 4 of The Plot Against America, confusion and conflict borne of misinformation drive wedges between friends and family, while the war rages on in Europe.
There was a seismic shift in the political landscape of the United States in the…
The Plot Against America is coming together as one of the most compelling, and critically important, television offerings in recent memory.
In this extensive interview, we spoke to Mohammed Naqvi about his riveting documentary The Accused: Damned or Devoted? about the difficulty of gaining access, comparisons between Rizvi and Trump and much more.
In Part 2 of The Plot Against America, David Simon and Ed Burns expertly weave together various character plotlines, all of which come to a head on the night of the Presidential Election.
Continuing to earn remarkable access and focus on taboo topics, in The Accused: Damned or Devoted? Naqvi turns his lens to Pakistan’s blasphemy law.
The Plot Against America “Part 1” is a textbook example of perfection in building a narrative foundation.
Through her creative direction, Nanette Burstein is able to tell Hillary Clinton’s story, the story of an insane campaign, and the story of women in politics.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
In spite of some of its trip-ups, it’s hard to find something so genuine in its portrayal of the prevalent anger and worry of these times.