police
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
Guillaume Pierret’s Lost Bullet is a wannabe Mad Max that takes in pride in flaunting its no-nonsense action movie tag.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.
The Standoff at Sparrow Creek is a shadowy, overly serious affair, and every element of its narrative and craft reflects the film’s white-knuckle grip.
Although it’ll be overshadowed by The Hate U Give, River Runs Red is an important film. The themes it explores make it a vital piece of social commentary.
S. Craig Zahler’s loyal cult following will find much to love with Dragged Across Concrete, although first time viewers will find it a difficult watch.
Monsters and Men is beautifully directed, but it lacks focus, as its choppy and undeveloped structure soon distracts from the matter at hand.
Gustav Möller’s The Guilty is compact but crushing single-room drama successfully secures our emotional and visceral involvement whilst quite boldly moving into some genuinely dark areas.
A Second Chance manages to pose a shocking moral quandary without falling into an academic exercise by grounding its characters in real feelings.
Another Wolfcop is a worthy horror comedy, with a memorable team of characters at its center.
Stephen Maing’s documentary deals with corruption and institutional racism in the NYPD – and recognises the police officers who are fighting a court case to help stamp this out once and for all.
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Arlin Golden spoke with THE FORCE director Peter Nicks about Oakland Police Department, and everything that’s wrong and right with American police.
The Force is an important film that hopefully one day we’ll be able to look back upon as history far removed from the current moment.