Poland
All these errors in execution aside, Green Border should raise international awareness of what’s happening to these refugees on the European border.
From Cannes Film Festival, Wilson Kwong reviews
Magnus von Horn’s The Girl with the Needle and Agathe Riedinger’s Wild Diamond.
For Monro’s Kubrick on Kubrick, decoding Kubrick’s films with the director’s own words serves as an excellent chance to write his own artful tale
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
Jonathon Glazer’s The Zone of Interest is a hauntingly reverberating film that will stick with its audience long after the film has concluded.
Mushrooms is a dark fairy tale, reverberating elements of the Brothers Grimm while grounding its revelations in modern horror.
What results is an engrossing, often painful, always warm portrait of the challenges of wanting to make art in a world hostile to the prospect.
My Neighbour Adolf had within its DNA the potential for something good, but alas an inability to strike a consistent tone means the talents of its stars.
At times a deeply moving portrait of our treatment of animals, while other times a sense of existential realism, EO proves itself to be full of heart.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
Mariusz Wilczynski’s Kill It and Leave This Town is art in its purest form; sincere, evocative, and intimate.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
Young Ahmed and Corpus Christi both examine religion and its grip on the individual. Soham Gadre reviews both.