Pixar
Inside Out 2 introduces a bunch of new emotions, but the only one I felt…
If Pixar’s latest offering suggested that Fire and Water can mix, the same can’t be…
In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover how much they have in common.
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
Turning Red, the latest film by Pixar Animation Studios, is a total blast – a heartwarming treat for the whole family.
Led by stellar voice-acting and an endless amount of charm and youthful spirit, Luca is Pixar’s simplest movie to date, but it’s simple done right.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
Toy Story 4 is the finest of the Toy Story sequels, and if it’s the start of a second trilogy, then we’ll follow it to infinity and beyond.
Incredibles 2, while being entertaining in its own right, often feels like a film with a conflicting message, and one that gets muddled up in the process.
Incredibles 2 is a fast-moving, heartfelt, gorgeous, well-acted, tightly-plotted, and funny movie that left the need for another sequel, which will hopefully be released sooner than 2032.
Coco is a refreshingly respectful look at Mexican culture, told from a child’s perspective but in a surprisingly poignant way as well.
In this all new episode of the Film Inquiry Podcast, Jay & Mike rank the Pixar filmography and talk about the Han Solo film!
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.