photography
Part documentary, part staged, and full of heart, this love letter to the five boroughs of New York City is an enjoyable, chaotic watch.
The Times of Bill Cunningham would serve better as an extras-feature on a Blu-Ray than as the stand-alone documentary it is.
Her name sounded so familiar. I tried to jog my memory and dig into the…
Film Inquiry had the pleasure of speaking with Stephen Wilkes, director of Jay Myself, an ode to the life and career of his mentor, photographer and artist Jay Maisel.
Although beautifully crafted, Théo Court‘s Blanco en Blanco is let down by the lack of restraint and direction.
Willem Baptist has crafted a documentary that feels rooted in both avant garde film and the spirit of Polaroid cameras.
Watching Claire’s Camera feels like watching a film being made right in front of you with director Hong laying bare his cinematic style in that he doesn’t know where he’s taking us, but he’s just as interested to find out.
Appropriately and beautifully shot on 35mm celluloid by Raso, Kodachrome is a touching, hilarious, and contemplative gem of a film with three wildly meritorious performances by Harris, Sudeikis, and Olsen, and timely themes.
Camera Obscura is a terrifying glimpse at PTSD, seen through the eyes of a war photographer who comes home and starts to see grisly images.
Though captured beautifully, Somewhere Beautiful suffers from an unfocused script and rushed direction by Albert Kodagolian.
Casey Neistat is raising the bar of YouTube filmmaking, leading a new generation of creators that are democratizing the process of filmmaking.