Peter Stormare
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
Written and directed by Jon Watts with co-writer Christopher Ford back in 2014, Clown has been in the offing for some time now. Originally conceived in 2010 as a fake trailer for a forthcoming feature attraction fictively produced by contemporary horror genre guru Eli Roth, Watts’ first feature length production is a mixed bag. Blending various elements of body horror with the basic thematic structure of a domestic comedy, Clown is more silly than it is scary.