Patrick Wilson

AQUAMAN AND THE LOST KINGDOM: Shallow Splash Of A Superhero Sequel
AQUAMAN AND THE LOST KINGDOM: Shallow Splash Of A Superhero Sequel

Despite Aquaman’s need to make one last cannonball for the DCEU, he only makes a mild splash in a mostly empty pool.

AQUAMAN AND THE LOST KINGDOM Trailer
AQUAMAN AND THE LOST KINGDOM Trailer

Arthur must enlist the help of his half-brother Orm to protect Atlantis against Black Manta, who has unleashed a devastating weapon.

INSIDIOUS: THE RED DOOR Trailer
INSIDIOUS: THE RED DOOR Trailer

The Lamberts 10 years after the last installment, as Dalton begins college.

MOONFALL Trailer
MOONFALL Trailer

In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it.

The Conjuring: The Devil Made Me Do It: Different, but Maintains the Most Important Aspect of the Series - Love
The Conjuring: The Devil Made Me Do It: Different, but Maintains the Most Important Aspect of the Series – Love

The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.

THE CONJURING: THE DEVIL MADE ME DO IT Trailer
THE CONJURING: THE DEVIL MADE ME DO IT Trailer

Paranormal investigators Ed and Lorraine Warren try to uncover the truth behind a murderer’s claim of demonic possession.

WATCHMEN, The Movie: Why, God, Why?
WATCHMEN, The Movie: Why, God, Why?

Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.

MIDWAY: A Battle That Deserves A Better Film
MIDWAY: A Battle That Deserves A Better Film

Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.

IN THE TALL GRASS: Is The Mind-Bending Premise Enough?
IN THE TALL GRASS: Is The Mind-Bending Premise Enough?

Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.

ANNABELLE COMES HOME: In Close Need of an Exorcism
ANNABELLE COMES HOME: In Close Need Of An Exorcism

Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.

ANNABELLE COMES HOME Trailer
ANNABELLE COMES HOME Trailer

Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home.

AQUAMAN: Mythological Madness Reigns In Ridiculous Underwater Epic
AQUAMAN: Mythological Madness Reigns In Ridiculous Underwater Epic

Aquaman is not really a bad movie by DC’s standards, but it is the weirdest thing they’ve made in recent years by a country mile – and not always in a good way.

THE COMMUTER: All Too Familiar
THE COMMUTER: All Too Familiar

Amid the rubble that is The Commuter, there is an entertaining enough film to provide respite during the Winter blues, just don’t expect too much.

THE CONJURING 2: A Troubling, Troubled Paranormal Epic
THE CONJURING 2: A Troubling, Troubled Paranormal Epic

After a brief hiatus with Fast and Furious 7, mainstream horror’s prodigal son James Wan has returned to the Devil’s Church of Jump Scares with a sequel to his paranormal blockbuster, The Conjuring. The main lesson he seems to have learned on his franchise-hopping action excursion is how to make things feel absolutely massive, and in following the golden rule of sequels, he’s applied that bigger-is-better ethos to The Conjuring 2. The ghostbusting duo of the first film – Ed and Lorraine Warren – are called to London to flush out some more housebound demons, but in an effort to raise the stakes over the first film, Lorraine is also faced with her own adversaries:

BONE TOMAHAWK: A Winning Blend of Classic and Revisionist Western Tropes

Despite a reputation as an open minded viewer willing to watch cinema of all genres, I have a confession to make: I struggle with Westerns, with many widely acclaimed masterpieces leaving me cold for no easily discernible reason. As much as I love Sergio Leone and many recently made “revisionist Westerns”, how the cornerstones of the genre (the majority of which are directed by John Ford) earned their classic status is unfathomable to me.