Paramount Pictures
Alfred Hitchc*ck’s oft-forgotten The Trouble With Harry delightfully blends small-town Americana with his usual penchant for droll humor and the macabre.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
The latest adaptation of Stephen King’s Pet Sematary has some interesting new ideas, but it never quite reaches liftoff.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
Sergio Leone compiled everything great about Westerns in Once Upon a Time in the West, and created as distinctive an entry as the world had ever seen.
A comedy with Haddish, Sumpter and Goldberg is a nice idea, but Nobody’s Fool soon makes you realize that you have been cat-fished.
Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
The Two Jakes may be an inferior sequel to Chinatown, but this Jack Nicholson-directed follow up is more intriguing than its reputation suggests.