Oscar Isaac
Miles Morales embarks on an epic adventure transporting Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
The Card Counter, the latest film from writer/director Paul Schrader, is very much a companion piece to his earlier, existentialist efforts.
A card shark encounters an angry young man who’s seeking revenge against a military colonel.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
Carried by the weight of Willem Dafoe’s performance, At Eternity’s Gate is not a bad film, but it is not an outstanding one either.
In Triple Frontier, five former Special Forces operatives reunite to plan a heist in a sparsely populated multi-border zone of South America.
At Eternity’s Gate presents a look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.
Dan Fogelman’s Life Itself has heart, but it’s ultimately too shallow in execution to support his grander ambitions.
Operation Finale is pensive and provocative, but it also feels a desire to thrill viewers remaining limited by its adherence to the spy genre.
In OPERATION FINALE, a team of secret agents are brought together to track down Adolf Eichmann, the infamous Nazi architect of the Holocaust.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.