originality
With all its success over the year and its deep political, racial and socio-economical undertones, and Oscars just around the corner, it seemed an appropriate time to dive back into the horror that is Get Out.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.
Not all remakes are created equally. While many can be terrible some can excel. Here Zac Hestand presents the six levels of remake hell.
Watching Frank recently, it occurred to me how often the creative process is shown on-screen, and how frequently this process is shown in a hackneyed, unsubtle way. Too often directors attempt to over-romanticise the writing process, and feature endless montages of their artists receiving some form of divine inspiration, as if writing was truly that exciting and easy. Admittedly, showing such a process on-screen is problematic.
So many of life’s lessons can be attributed to children’s literature. Authors from Dr. Seuss to Shel Silverstein shaped the way young minds perceived the world and prepared them for what lie ahead.
The ideology of originality in modern day cinema is a debate that is frequently discussed and examined, comparing it to what was considered the ‘Golden Age of Cinema’ in the 1900’s. Particularly regarded are the similar story lines and plots that are overused and are becoming somewhat identical, which can comprise of reboots of existing features, superheroes, etc. Along with the sheer amount of sequels that reoccur frequently even when audiences may not particularly want them, leading to them being ignored or neglected.
The following infographic has been shared around the web many times over. Many have taken these numbers for proof that creativity and originality is waning in Hollywood. Let’s see what it has to say: