oppression
Lacking emotional honesty, Disobedience from director Sebastián Lelio fails to create believable, organic tension between its characters and translate an understanding of the films primary cultural focus and subject matter.
Beast is a gritty psychological-mystery with a brilliantly dark, pulsating and atmospheric heart, with an exceptional lead performance from Jessie Buckley. Michael Pearce delivers a brilliantly assured and confident feature-length directorial debut.
In this Tribeca Film Festival Round-up, Stephanie Archer looks at the films she saw that found that dominated their central focus and inspiration in oppression, fear and freedom.
Told in just nine powerful takes, this harrowing legal drama from director Kaouther Ben Hania uncompromisingly depicts one woman’s search for justice following a sexual assault in a corrupt, patriarchal society.
Disguised simply as a small-scale action horror film, Mohawk becomes a good focal point for something much larger than itself, which enables its flaws to be more readily overlooked.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
Géza Von Radványi’s Mädchen in Uniform explores romance, while depicting love that varies in intensity, significance, and objective.
Imagine you are given a TV remote that has the power to transport you into another dimension and back in time. Imagine you accidentally allow the remote to do it. Well, that’s exactly what happens in the 1998 film Pleasantville.
Leyla Bouzid’s French-Tunisian drama goes above and beyond the traditional coming of age story, using one girl’s journey to adulthood to explore politics, revolution and state sanctioned violence. As I Open My Eyes, gaining international attention for its portrayal of the Arab Spring, seeks to tackle such a prominent and life altering event through the eyes of its young protagonist: Farah.