Norway
“All Quiet on the Western Front” and “Narvik,” a German WWI film and Norwegian WWII film, premiered on Netflix in 2022.
Sick of Myself is a deranged and delightfully cynical work of art that proves attention-seeking for the sake of fame always comes at a much higher cost.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.
Sparing us a heavy-handed lecture, Gunda shows us why we should value animals for more than just their meat, and is all the more powerful for it.
Attempting to fit a lifetime of legendary adventure into a two-hour film, Amundsen: The Greatest Expedition doesn’t manage to tell us that much at all.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.
As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.
Wilson Kwong spoke with Norwegian filmmaker Jorunn Myklebust Syversen about her new film Disco during Toronto International Film Festival.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.