New York Film Festival
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
Déa Kulumbegashvili’s Beginning is guaranteed to linger uncomfortably in the back of your mind long after the end credits have rolled.
For his second report from the New York Film Festival, Soham Gadre covers six more diverse films.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
With Hong at his most delightfully Rohmer-esque and Kim at her most effortlessly charming, The Woman Who Ran showcases humanity at its most authentic.
This year’s New York Film Festival started out with a bang, showcasing a whole slate of movies that really experimented with form.
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.
While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
While maybe too placid for some, those who allow themselves to sit back and absorb The Calming’s tranquil journey will be richly rewarded.
In our final report from the 2019 New York Film Festival, we look at some of the amazing short films showcased this year.