New York Film Festival
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
At times a deeply moving portrait of our treatment of animals, while other times a sense of existential realism, EO proves itself to be full of heart.
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
Our coverage of the 2021 New York Film Festival concludes with looks at Jane By Charlotte, Haruhara-San’s Recorder, and Hester Street.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
In Front of Your Face and Introduction serve as a satisfying reminder that one of world cinema’s most consistent filmmakers is still thriving.
Mia Hansen-Løve’s Bergman Island features emotionally intelligent filmmaking and a lovely central performance from Vicky Krieps.
Titane spins elements of body horror and science-fiction into a beautiful tale of love and identity, grounded in true human emotion.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.