New York Film Festival 2019
In our final report from the 2019 New York Film Festival, we look at some of the amazing short films showcased this year.
Capturing a legacy of fear, Pia Borg’s short documentary Demonic is the perfect depiction of a time when the depths of the mind, imagination and fear gripped a nation.
In our latest report from the New York Film Festival, we cover Motherless Brooklyn, Wasp Network and American Trial: The Eric Garner Story.
With an intriguing story and a craftsmanship in filmmaking, The Wild Goose Lake is a ride you want to be on, holding on to you until the very end.
Bong Joon-ho has put together an intricate, multi-layered portrait of inequality and class. At the same time, he keeps the experience fun and intoxicating.
With Portrait of a Lady on Fire, writer-director Cèline Sciamma has created something extremely precious. Read our coverage from NYFF 2019.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
In this report from New York Film Festival, Brent Goldman sheds a light on some international offerings: Atlantics, Bacurau and Martin Eden.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Three films. Three different languages. From NYFF, Kevin Lee reviews Sybil, Beanpole and Saturday Fiction.
In this New York Film Festival report, Kevin Lee reviews I Was At Home, But, The Whistlers and To The Ends of the Earth.
Kevin Lee reviews the first three films he saw at New York Film Festival, Navad Lapid’s Synonyms, the Dardenne Brothers’ Young Ahmed, and documentary Cunningham.