New Hollywood
In the 1970s, a decade many have argued was the best time for cinema, film adaptations of bestselling novels were more common.
As fun as it might be to play a game of spot-the-Scorsese, it’s worth looking at each cameo with a more analytic lens. Read on to find out more.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
In our latest entry of Anarchic Cinema, we discuss Nick Zedd’s 1979 undiluted cinematic punk rock film They Eat Scum.