Netherlands
From Cannes Film Festival Wilson Kwong reviews Payal Kapadia’s Grand Prix winning All We Imagine as Light and Rúnar Rúnarsson’s When the Light Breaks.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Once you remove the explicit content, there’s not that much about Pleasure that is truly revolutionary, or even rebellious.
The 48th Seattle International Film Festival continues, rain or shine, and for Film Inquiry’s second…
Deniz Tortum’s third feature documentary, Phases of Matter, follows the doctors and nurses of the hospital where the director was born.
With a tightly paced narrative and engaging characters, Huda’s Salon has more than just thrills to deliver.
Klem shows that Dutch series sometimes have a better start than award-winning American series like Breaking Bad. In short – Klem is a must-see.
Paul Verhoeven’s latest film Benedetta, based on the infamous 17th century, has the Catholic Church up in arms as it delivers the satire.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
Ena Sendijarević’s Take Me Somewhere Nice is a movie most cinema-goers have probably seen before, at least in pieces.
A fun, sexy, romantic comedy, Just Friends is a Dutch TV movie about two young men falling in love.
Dutch television series Turbulent Skies takes to the air as it looks at the lives of Anthony Fokker and Albert Plesman, two pioneers of aviation.
The Columnist is an effective thriller about one woman’s revenge against her online abusers, but it lacks deeper meaning.