Netflix
What the show lacks in the easy charm of simplicity, it makes up for in a deeper emotional connection. Lovesick doesn’t replace the rom-com, it just offers a new, often improved, take on it.
Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.
Alice Wu’s The Half Of It is a tender teen romance and a nuanced take on sexuality and friendship. Andrew Stover reviews.
With the talent involved and the potential of its revisionist take on Golden Age Hollywood, Netflix’s Hollywood provides minor thrills where it promised major dramatic power.
Circus of Books packs so much heart and warmth that only the coldest of souls would fail to be moved by it come the end credits.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.
In Part Three of Terrace House Tokyo, there are twelve different people living in the house throughout the twelve episodes, and there is just too much content to focus on.
If you’ve ever been worried about your creaky joints, or whether your sex life will cease to exist after the menopause, Grace and Frankie will help to ease your mind.
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
Trixie Mattel: Moving Parts is a raw, at times agonising portrait of the contemporary reality show celebrity. Rafaela Sales Ross reviews.
If in the end there will be no fourth season for On My Block, the ending of season three is still pretty much a perfect closure.
There’s a reason The Tiger King has been one of the most streamed content on the service recently: you’ve got to see it to believe it, and…maybe not even then.
Altered Carbon season 2 may not be exactly what season 1 seemed to promise, but in many ways, that’s a good thing.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.