Netflix
Fear Street Part One: 1994 is a fun, energetic slasher with enjoyable characters, an interesting overarching plot, and heartfelt relationships.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
With a shift to basketball, the new season of Last Chance U is a journey into the lives of student-athletes hoping to achieve their goals.
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
Film Inquiry interviews Joe Penna about his film Stowaway and the sense of isolation it presents and the everlasting prospect of hope.
While it takes the series a few episodes to find its footing, it eventually settles into an even pace, supported by the strong performances and adaptation.
Luke Parker spoke with documentary filmmaker Shalini Kantayya about Coded Bias, her frightening exposé on big tech data collection.
Formula 1: Drive to Survive S3E9 is an exhilarating experience that can charge anyone up and make them want to aggressively work towards their goals.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
While a bit shaky at times, the Chilling Adventures of Sabrina brought a unique perspective I hope future inductions will honor.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Teenage Bounty Hunters hit an unlikely intersection of relatability, character and relationship growth, and adventure.