Netflix
Lady Chatterley’s Lover will surprise audiences with how much investment in its characters it is able to achieve.
If you are looking for a warm and cheery film propped by the predictability of Christmas magic, Falling for Christmas is the film for you.
It proves once again that it knows how to utilize some of the most intelligent and hilarious comedians working in Hollywood.
While Wednesday is not without its flaws, this young adult rendition of the Addams Family eldest is both entertaining and intriguing.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
Rob Zombie’s The Munsters is endearing, and even if you never grew up on the series, the film retains a ghoulishly wholesome energy.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Do Revenge was a pleasant surprise, entertaining from start to finish.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.
Look Both Ways was a pleasant surprise. And while its final messaging is predictable, it does not miss on its delivery.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
This entry has longer than usual episodes, making this part a deft delivery of the finality of what has been a real significant part of TV life and culture.
Do you want a pick me up without a lot of stakes? Go for Murderville.