Netflix
Cam may not be the full blooded horror its festival hype suggests, but it’s an involving glance at an online world through an unnerving lens.
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.
If you don’t care about Orson Welles, The Other Side of the Winf does not stand up well enough on its own to be worth your time.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.
Daredevil is still the stunner of Hell’s Kitchen, and of the Netflix Marvel world, with an adept season three that goes back to its roots, but also grows from them.
Sacrifice is not as strong as Brown’s other work, particularly his fascinating previous effort The Push, but it’s still bound to get people talking.
22 July begins as an urgent and devastating film, before suddenly turning into a never-ending slog, destined to leave viewers wondering where things went wrong.
If it’s undeniably riddled with imperfections, Apostle is still a worthy new venture from an abundantly talented filmmaker.
If you’re a fan or a newbie or just someone looking for a bloodbath of an action movie, move The Night Comes for Us to the very, very top of your list.
The Kindergarten Teacher is expertly magnetic as a vessel for a cringe-worthy effect of its own making, and with a strong central performance by Maggie Gyllenhaal as well.
We spoke with Derrren Brown about his latest Netflix show Sacrifice, as well as his development as a performer, and his future projects.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Considering Quincy Jones’ origins, his struggle, and his accomplishments, the Netflix documentary Quincy is a missed opportunity.
Private Life is a beautifully crafted study of two people who struggle to relinquish their desire to control and plan every element of their life.
Expelling all mental illness, Maniac blends all conceivable genres and tones, in an unmistakably difficult balancing act set in an unknown retrofuturist timeline.