Netflix
The Burial of Kojo is an aesthetically accomplished debut for Sam Blitz Bazawule, but the narrative itself is far from perfect.
The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
In the battle between Spielberg and Netflix, it is not about the cinematic experience, rather than profitable business plan.
Love, Death & Robots was intended for a very niche audience, and for them it’ll prove a masterfully-crafted acid trip that makes for a cathartic experience.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
When it comes down to it, you’ve seen this type of movie before, but rarely with this setting and with people from this part of the world.
Films about serious illness have a tightrope to walk, to find the right balance for…
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
The Last Laugh tries its best to tell a sweet tale about growing old with dignity and never giving up on your true self.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
Polar is as by-the-book as an action film can be, and that book isn’t even a very interesting one.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.