Netflix
Charming guests full of personality and stories capable of filling given run time are exactly the reminder of authentic entertainment this current era of television needs.
Orange Is The New Black was never pitch perfect, but it hit enough high notes to make it count. Farewell, Ladies of Litchfield.
Even if Douglas doesn’t match its predecessor, the material is strong enough that it could still wind up being the second greatest stand-up film of all time.
While it’s not the best made documentary of the year, The Great Hack is the most important documentary you’ll watch all year.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
Season 3 of Stranger Things reminds us why we love this show, and it’s not just the nostalgia, it’s the characters.
Alex Lines spoke with director Grant Sputore about his new film I am Mother, getting picked up by Netflix, the film’s influences and how to make an original sci-fi film in 2019.
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.