Netflix
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Unfortunately, Tall Girl takes the typical high school movie beats and fails to do much with them.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
An alluring fixture with a hefty and enlightening impactful weight, The Laundromat drowns due to an overindulgence in material and excessive narrative.
The plot thickens in episodes 4-6 of Mindhunter: Season 2, as the dramatic fallout of the first season fades into the rear view mirror and the intense conflict of this new season shifts to the forefront.
Season 2 of Mindhunter reminds us why we adore this show: it’s gripping, intoxicating television, as engaging on a scene-to-scene basis as it is on a grand narrative level.
In Season 4, Last Chance U is forced for the first time to confront its decision to center the coach as the premier personality of the show.
American Factory excellently conveys the complexities of a culture clash, and is an insightful illumination of globalization.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.