Netflix
A Fall From Grace, a 2-hour phoned-in schlock, proves that when Perry mentions his film wrapped in less than a week, he is not exaggerating.
While the performances, production, and humor remain top-notch, Sex Education season two is a regressive step compared to its revolutionary first season.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
The second season of You is even more bonkers than its predecessor, rectifying loose plot threads and keeping the addictive contents of the first season.
When it comes right down to it, Part One of any Terrace House season serves…
John Mulaney and crew have deftly crafted a funny look at being a kid, silly enough to be likable while endearing itself to our nostalgia for childish things.
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Story stumbles aside, You delivers on all the hot, steamy intrigue that we came to love in the first season.
So far, this season of Terrace House Tokyo has had a mixed bag, and it really doesn’t seem like anyone is close to accomplishing their stated goals.
The 2010s have been exceptional for the TV industry. We share our top ten!
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
The inaugural season of The Witcher manages to outdo expectations over the course of its eight-episode run, but there’s no doubt that the show does have plenty of visible flaws.
In a holiday season in which the biggest action movie played it relatively safe to disappointing results, 6 Underground’s pure dose of Bayhem is even more of a welcome change of pace.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
Atlantics tells the story of the women who are left by their men as the latter migrate to seek work, and it tells that story beautifully.