Natalie Portman
With the recent temporary re-release of the Phantom Menace to honor its twenty-fifth anniversary, how does the film hold up?
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
In May December, there are more important things than the answers to Haynes’ litany of questions, which may frustrate some viewers.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Thor enlists the help of Valkyrie, Korg and ex-girlfriend Jane Foster to fight Gorr the God Butcher, who intends to make the gods extinct.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
Lucy in the Sky is an absolute flatline, dragging to an anticlimactic ending. Noah Hawley might do best to stay in television.
The manic pixie dream girl trope is indicative of sloppy writing and has become an easy way for Twitter users to dismiss complex female characters.
Black Swan analyzes the pressure of perfection that is forced upon women by society, highlighting its long-lasting detrimental effects.
Lucy in the Sky tells the story of a female astronaut who, upon returning to Earth from a life-changing mission in space, begins to slowly unravel.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
In Vox Lux, an unusual set of circumstances brings unexpected success to a pop star.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.