mystery
The debut feature from Saudi Arabian filmmaker Shahad Ameen, Scales weaponizes repressed femininity in the…
In the latest edition of Horrific Inquiry, we take a look back at 1997 slasher I Know What You Did Last Summer.
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
It’s a clever and fresh take on not only an oversaturated genre but also an intriguing take on one of the most fool-hearted days of the year.
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
Sean Fallon spoke with director and writer Daniel J. Phillips about his film Awoken, his influences and his next projects.