mystery
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
The release of Scream 5 is almost here! But first, we need to take a moment to look back on the final Scream installment Wes Craven would work on: Scream 4.
Black Christmas is not the knock-out holiday film you might be craving, but it entertaining to say the least.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
With only a month left until the release of the franchise’s fifth installment, we are back with another edition of Horrific Inquiry’s Scream Countdown!
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
In its final episodes, I Know What You Did Last Summer is able to reestablish the firm commitment it has promised at the series’ beginning.
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it may not live up to the bar set, Scream 2 delivers a solid sequel that not only expands the rules of horror but lays the groundwork for the trilogy.
The episode delivers its most brutal and graphic kill to date, coupled with a further dive into horror classics with a House of Wax feel.
Last Night in Soho immediately pulls you in with its colorful visuals and strong performances but it lacks the subtlety necessary to be truly impactful.
Returning to the tension that made the first two episodes a success, I Know What You Did Last Summer leave viewers with its first cliffhanger.
Episodes 3 & 4 are not bad, but they are certainly not the best, losing much of the steam and identity the first two episodes worked so hard to generate.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.