mystery
Castle Rock’s Filter is an impeccably scored episode, with enamoring performances by Spacek and Holland, that level out the grooves this mixed bag left behind.
While there remain more noticeable cracks in the latest two Sharp Objects episodes than the earlier days of the miniseries, it endures well into the sixth hour as an unparalleled and enthralling television experience.
Castle Rock is haunted, and there’s a reasonable amount of fantastical threads, but it is grounded with characters impacted by very real circumstances.
Episode 5 of Sharp Objects, Closer, is the weakest episode of a brilliant bunch but one still packed with fantastic character work and shattering performances.
Summer of 84 strives in its scenes of tension and horror, but fails in its moments of childhood nostalgia and friendship.
Castle Rock’s “The Box” left our arm hair raised, and adequately poised for what will likely be a strong second half of the season.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
Some may argue that Ripe, as with the previous three hours, takes the idea of ‘show, don’t tell’ a little too far; but that very concept is what ensures that Sharp Objects is the most compelling piece of work currently on television.
If last week’s series premiere was about laying the table for the consuming mystery, Sharp…
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.
The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
First, you’ll laugh at nonsensical crime thriller Hangman – and then, you’ll grow annoyed that this actually got made over better projects.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.
We were able to talk with the great Paul Schrader, director and writer of the upcoming film First Reformed, out on May 18th.