mystery
With only one episode left in the season, American Gods has to create some tension amongst its cast of characters.
Lee Chang-dong’s masterful Burning is a pot of luscious ambiguity that has us pining for answers.
If American Gods can pull together a few more character driven episodes like this for the final three episodes of the season, they can guarantee me back for season 3.
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
Three episodes in and the new Twilight Zone has been way too blatant so far, hopefully the remaining episodes aren’t as predictable.
With how scattered and spotty the show has been this season, American Gods wants to say something important, and I hope it finds what it truly wants to say soon.
The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.
Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.
The Curse of La Llorona is not original enough to stand on its own, relying too intently on jumpscares and with not enough focus on the characters around them.
The latest adaptation of Stephen King’s Pet Sematary has some interesting new ideas, but it never quite reaches liftoff.
There’s a lot of set up, a lot of TV show, and little payoff going on in American Gods – and it’s starting to wear on me.
While Peele’s The Twilight Zone is an improvement compared to the previous reboots, viewers are better off revisiting Serling’s original series.
Behind the grief, behind BOB, lies the simple reality that Twin Peaks pushes: that the dream of suburbia and happiness that America sells may be a lie.
While episode 2 nearly gave us whiplash, “Muninn” feels like a more controlled look at the different characters in the vast expanse of this universe.
Even as it skims too lightly over its complex themes, A Vigilante manages to capture a resilience and toughness that often goes unhailed on film.