mystery
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Much like that of a promising get away, The I-Land is stunning on the outside with far less to offer on the in.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.
I Trapped the Devil ultimately has just enough meat on its bones to stick with viewers willing to plunge into its grim, nightmarish world.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
By presenting a comedy with the formal elements of a slasher, Camp Wedding fails to be interesting or entertaining within either genre.
In our recap from the The Volvo Scandinavian Film Festival 2019, we cover two high-profile premieres: The Purity of Vengence and A White White Day.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.
Euphoria has something important to say and has good ideas in its grasp but can never look them in the eye.