mystery
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
While the film may lose a few along the way due to its drawn out pace, many will find themselves enthralled with what The Wolf Hour has to offer.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.