mystery
By tackling an issue that the real world is facing right now, Westworld season three becomes even more exciting and relevant.
Episode 5 of Devs is a glimpse through time for our characters, utilizing impressive visual effects in the process.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
Episode 2, “The Winter Line”, retains the energy the premiere of Westworld Season 3 established, giving us what we want: Maeve.
As Homeland’s “F**ker Shot Me” and the preceding episodes depict, the only thing “exceptional” about America is its hypocrisy.
Episode 4 of Devs is a season high so far, bringing forth major plot points and leaving many of our characters in uncertain positions.
Compared to the confusing season 2, the first episode Westworld season 3 is more straightforward, and much clearer and more exciting in terms of the action and its philosophical examination.
Homeland brings the most quietly powerful episode so far this season, slowly moving up hill, hearts pounding as we anticipate the inevitable plunge.
As we continue to see the tapestry come together throughout the next several weeks, one fact is inescapable: we’re in for a hell of a ride.
Blow the Man Down is a careful study about growing up following a tragedy, about fending for oneself, and about the oddness in towns that people inhabit.
Well-acted, and relentlessly brutal, Hunters has the ability to garner more attention but falls short from being memorable.
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.