mystery
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.
Despite this film’s boundless originality, one is left with more of a sense of respect for what was attempted than of enjoyment of what resulted.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Anchored by Millie Bobby Brown’s delightful performance, Enola Holmes is a charming riff on the Sherlock Holmes lore.
For the stunning animation alone, it is worth watching, but don’t be surprised if you find yourself drowning in the film’s strange, surreal story.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.