musical
Who knew that in 2020, the messages and words of Anna and the Apocalypse would find new and even deeper meaning.
The story of Rudolph is a celebration of the outcasts, yes, but what makes it gay?
The Jinkx & DeLa Holiday Special is a labor of yuletide love that shows the raw creativity and determination of queer performers.
There’s so much to be said, and yet we settle into a story that sometimes takes the easier road if not the obvious one.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
Critics’ complaints that Xanadu was bland, uninspired, and outright confusing are valid concerns, however, there is no denying how much heart this film has.
Dancer in the Dark holds a mirror up to the world with such clarity that its impossible not to catch a glimpse of ourselves in the reflection.
With its flashes of humor and music, The Hole is a disturbingly timely depiction of humanity in crisis that speaks to our current isolation.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
Alex Lines reports from MIFF 2020 with three films: Last and First Men, Anne at 13,000 FT, and Dark City Beneath the Beat.
Earth Girls Are Easy manages to both subvert and give in to the conventions of its time, so singularly absurd and campy that you can’t not enjoy it.
As we await another musical adaptation of Little Shop of Horrors, it’s worth looking back to Roger Corman’s campy 1960 original film.
Our coverage of the 2020 Sheffield Doc/Fest’s continues with reviews of Shut Up Sona, The Go-Go’s and Bitter Butter.
Royalties is a funny parody of the music industry that affectionately brings forward the lives and difficulties of songwriters with stellar performances.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.