musical
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
I have always believed in the art of animation. It is more than just a…
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
With a fast-paced sense of humor, old-styled and eye-catching animation, and a stellar soundtrack, Cats Don’t Dance should have been a hit.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
Despite some hiccups, fans of Dolly Parton or Australian comedy will have a good time with Seriously Red.
Guillermo del Toro’s Pinocchio is amongst his finer recent films as a well as being one of the more standout adaptations of the classic fairy tale.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
On top of being a visually breathtaking feat of animation, Sleeping Beauty is an incredibly unique film in the classic Disney princess canon.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
The Rwandan-American neon-brushed Afrofuturist musical Neptune Frost is a film radiating with vigorously sensible energy and insight.