musical
Aside from having a similar word in its titles, the following two films from Sundance…
If Neon can stick the landing, The End has potential to be a breakout indie hit and a generational film of 2024.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
I have always believed in the art of animation. It is more than just a…
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
With a fast-paced sense of humor, old-styled and eye-catching animation, and a stellar soundtrack, Cats Don’t Dance should have been a hit.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
Despite some hiccups, fans of Dolly Parton or Australian comedy will have a good time with Seriously Red.
Guillermo del Toro’s Pinocchio is amongst his finer recent films as a well as being one of the more standout adaptations of the classic fairy tale.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
On top of being a visually breathtaking feat of animation, Sleeping Beauty is an incredibly unique film in the classic Disney princess canon.