music
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
Game of Thrones wouldn’t be Game of Thrones without Ramin Djawadi, who has been producing consistently excellent scores for the past nine years.
For this month’s Staff Inquiry we surveyed our writers to see which soundtracks really knocked their socks off. See if you agree with their choices.
Nowhere Boy is a coming of age biopic based off of the formative years of John Lennon’s life and his ensuing journey into rock and roll.
While Beats isn’t perfect, the cast is engaging and Welsh’s visual style is lively without falling into nightclub-style movie shot cliches.
In her second Tribeca documentary report, Stephanie Archer reviews Red, White & Wasted, Lil’ Buck: Real Swan, The Quiet One, and Sublime.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
Kristy Strouse spoke with Christopher Thorn and Rogers Stevens from the band Blind Melon for the Tribeca documentary All I Can Say.
We spoke with the three-person directing team behind rock doc All I Can Say, Danny Clinch, Taryn Gould, and Colleen Hennessy, at Tribeca 2019.
Whether a gift from God or the vitality of technological advancements, Amazing Grace is a gift of cinematic resurrection brings back Aretha in all her glory.
The story of the underdog will always be a crowd-pleaser. An unknown phoenix yearning to…
Prince Rogers Nelson never fell prey to the novelty trap. His theatrical mystique—the leather and…
Cannon Films attempted to get into the animation market in 1986 – and the result was a hated film that remains out of print to this day.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.