music
Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.
We spoke with True History of the Kelly Gang director Justin Kurzel about Ned Kelly’s significance to Australian culture and how his adaptation of the story is unique from those that have come before.
Trolls World Tour finds a few of the right notes to pluck from its candy-coated guitar that it’s less likely to induce a headache than most manic animated features.
We spoke with Boots Riley about the 2012, 2018 and 2020 editions of the Sorry to Bother You Soundtracks, and touched on the synergy between music and film.
I Still Believe’s Melissa is the manic Christian dream girl who tempts lovestruck men toward salvation.
In our latest installment of Screenplays With Unconventional Connections, we compare Eminem’s 8 Mile to Prince’s Purple Rain.
William Hopson explores how Alan Silvestri’s score proves to be manipulative in the best possible way in Forrest Gump.
La Bamba is a well-versed depiction of Ritchie Valens’ life and it is evident a tremendous amount of care was put into the production of this film.
In April 2017, indie trio HAIM released a live recording of their new, unreleased song “Right Now” in a video directed by Paul Thomas Anderson, shot on 35 mm film and in one unbroken take.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Western Stars isn’t going to break the music documentary mold, but if you’re a Springsteen fan, you should find plenty to love about it.
Hitsville: The Making of Motown is a loving and lively reflection on Berry Gordy’s pop music factory, one of the greatest of the 20th century.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.