When contrasted against the special designation conferred upon Final Girls, it seems apparent that the horror genre permits its mothers limited options.
With beautiful direction and cinematography, a haunting score, and excellent acting by Eva Green in particular, Proxima is a solemn, slow meditation on motherhood.
One Child Nation is, without doubt, a criticism on blind acceptance of nationalism. In this way, it is an incredibly timely piece that absolutely must be seen.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.