Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
Smallfoot is desperate to entertain its audience with musical numbers, visual gags, and rapid-fire dialogue without paying that same attention to character or stakes.
Premiering at this year’s Tribeca Film Festival, Justin P. Lange’s The Dark is an ingenious reinvention of the zombie genre, bringing a new rage monster to the cinematic screen and exhibiting what anger and fear truly is. This is a film you will not soon be forgetting.