misogyny
In the end, more of a thriller than a deep thought piece, Asking for It will leave you asking for more
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Better off Dead uses the tropes and political incorrectness of many 1980s teen comedies but its absurdity is able to undermine these regressive areas.
The manic pixie dream girl trope is indicative of sloppy writing and has become an easy way for Twitter users to dismiss complex female characters.
Anchored by a strong performance from Hermione Corfield, Rust Creek is a deceptively layered thriller that touches upon the horror in being a woman.
Madison Montgomery is the most fascinating character in the AHS world, and in Apocalypse, our perception of her changes once more.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
Funny Cow is one of the most harmful depictions of the British working class in popular culture since Sacha Baron Cohen’s Grimsby, in addition to being one of the most mindbogglingly racist and homophobic films in recent memory.
We explore how Guillermo del Toro’s Oscar nominated period piece The Shape of Water accurately reflects the prejudices still held in contemporary American society.
In this in-depth analysis of the revelations of abuse of women in Hollywood, we consider how we got here, and what we can do.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Nora Ephron’s You’ve Got Mail has been accused of everything from misogyny to being capitalist propaganda – Julia Smith thinks otherwise.
Passengers, upon release, was panned as a misogynistic fantasy; but here’s why it might actually be more progressive than that initial take.