In the 2010s, filmmakers pushed conventions of the form in both aesthetics and subject matter, expanding the umbrella of what be considered a “documentary.” The result was a decade of feasting for non-fiction film lovers.
Though its most lasting power comes from characters on the fringes, Kid Icarus offers a rich and entertaining perspective on growing up aimless in the American West.
We had the chance to talk with Mike Ott, director of fiction/non-fiction blend CALIFORNIA DREAMS, about documentary filmmaking and about the fine line between fiction and reality.