mid-life crisis
Film Inquiry recently spoke with Peter Kim and Oswin Benjamin about their experiences working on Radha Blank’s film, The Forty-Year-Old Version.
I Used to Go Here is about far more than one could have hoped and imagined with a pleasant amount of consideration given to all its characters.
Thanks to the funny and occasionally moving performances of Gould and Clement and a confident feature film debut from Hoffman, Humor Me qualifies as a passable entry into the midlife crisis sub-genre.
In Restless Creature, we follow nearly three decades of Wendy Whelan’s career as a ballerina with the New York City Ballet.