Michael Sheen

GOOD OMENS Season 2: A Gorgeously Miraculous Second Act
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act

Good Omens season two is truly beautiful in every sense of the word and is an absolute must-watch.

HOW TO BUILD A GIRL: Sometimes You Need To Be the Villain of Your Story
HOW TO BUILD A GIRL: Sometimes You Need To Be The Villain of Your Story

In a time when women are breaking boundaries and recreating the ideas and perspectives of female characters, How to Build A Girl delivers just that.

DOLITTLE: A Dull Attempt At Capturing The Magic Of A Fantastical Story
DOLITTLE: A Dull Attempt At Capturing The Magic Of A Fantastical Story

Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.

DOLITTLE Trailer
DOLITTLE Trailer

In Dolittle, a physician (Robert Downey Jr.) discovers he can talk with animals. We take a look at the trailer.

GOOD OMENS: Best. Apocalypse. Ever.
GOOD OMENS: Best. Apocalypse. Ever.

There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.

SLAUGHTERHOUSE RULEZ: Uneven Comedic Horror That Needs To Go Back To School
SLAUGHTERHOUSE RULEZ: Uneven Comedic Horror That Needs To Go Back To School

With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.

APOSTLE: Extreme, Gruesome Cult Tale Is Slightly Uneven

If it’s undeniably riddled with imperfections, Apostle is still a worthy new venture from an abundantly talented filmmaker.

BRAD'S STATUS: On Lives Lived Online
BRAD’S STATUS: On Lives Lived Online

Brad’s Status is a film about social media that is bolstered by its performances, but ultimately it is not particularly memorable.

Far From The Madding Crowd
FAR FROM THE MADDING CROWD: Yet Another Stale Period Drama

Every now and again, a movie adaptation of a novel is made by the perfect directorial fit for the source material, that helps it stay true to the original text and create a new visionary approach that helps it stand on its own two feet as a distinctive work of art. Danish director Thomas Vinterberg has had an eclectic career, yet is mainly renowned for his two emotionally fraught dramas about the devastating effects of child abuse, his 1998 debut Festen (The Celebration) and his previous feature, 2012’s magnificent The Hunt. These movies are excellent in how they don’t spare the viewer from the histrionic emotions that engulf the characters and completely ruin their lives – The Hunt, starring the always-fantastic Mads Mikkelsen as a primary school teacher wrongly accused of abusing a pupil, could easily draw comparisons with Thomas Hardy.