Michael Fassbender
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
Solitary, cold, methodical and unencumbered by scruples or regrets, a killer waits in the shadows, watching for his next target in David Fincher’s newest.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
The lesson of Frank is that mental illness is a hindrance, not a gift of inspiration, and romanticising it is a dangerous road to go down.
Jean Grey begins to develop incredible powers that corrupt and turn her into a Dark Phoenix. The X-Men will have to decide if the life of a team member is worth more than all the people living in the world.
In the latest of our Take Two series, we tackle Alien: Covenant, the Ridley Scott thriller that tried to balance science fiction with philosophical intrigue.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
Song to Song brings A-game performances and an was aesthetically pleasing look, all that was missing was a strong plot.
Trespass Against Us is a crime film that, though with talent both in front of and behind the screen, fails to develop beyond cliché territory.
Assassin’s Creed may be the best video game adaptation, with some dynamic action, but it still has a run of seething and frustrating flaws
When deciding whether a story should be written as a book or a screenplay, a writer must decide which media would be the best platform to tell their story. The Light Between Oceans, based on a novel by M. L.
“Based on a true story.” “Based on true events.” “Inspired by actual events.
Man is an individual only because of his intangible memory; and memory cannot be defined, but it defines mankind. — Ghost in the Shell X-Men: Apocalypse, the capper to the X-Men:
Most of us are familiar with the story of Macbeth by William Shakespeare, a story so prevalent that people will not utter the name of ‘the Scottish play’ whilst in the theatre, as by ancient tradition it is said to be cursed. For those of you who are not familiar with the story, it is a tale of one man’s hunger for power in a tyrannical society, and how he is pushed further and further down a descending path of hopelessness and insanity by his wife, a group of witches, and his own consciousness. There have been many recreations of the play on stage and on screen, and this 2015 cinematic depiction of Shakespeare’s Macbeth, directed by Justin Kurzel and starring Michael Fassbender and Marion Contillard, is on a platform so high that the other depictions are unable to reach it.